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已完结
韩一霆,聂新源,潘铭允,钱思怡,席乐,云歌,欧若拉
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冯绍峰,邬君梅,李彧,邵芸,单敬尧 ,徐海乔
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黎耀祥,龚嘉欣,丁子朗,孔德贤,倪嘉雯,袁文杰,庄思明,蔡国威,杨玉梅,邓伊婷,袁镇业,莫家淦,黄子桐,关曜儁,阮政峰,陈靖云
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更新至第11集
黎耀祥,龚嘉欣,丁子朗,孔德贤,倪嘉雯,袁文杰,庄思明,蔡国威,杨玉梅,邓伊婷,袁镇业,莫家淦,黄子桐,关曜儁,阮政峰,陈靖云
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更新至第34集
杨紫,韩东君,吴冕,田小洁,徐百慧,王梓豪,谢心,李泓良,杨斯,富大龙,曹磊,李洪涛,黄曼,张喜前,李宝安,朱辉,刘涛,刘凯,红花,周知,李春嫒,王婉娟,王玉宁,李煜,舒燕,付嘉,王文绮,洪洋,张渟渟,许之糯,李田野,陈伟栋,刘恒甫,王学东,娜菲莎,瞿楚原
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HD中字
萨玛拉·维文,杰森·席格尔,蒂莫西·奥利芬特,朱丽叶特·刘易斯,保罗·吉尔福伊尔,凯拉·拉多姆斯基,基思·雅各,丹妮西娅·萨马尔,尼科莱·金斯基,杰克·库兰,罗伯特·古德曼
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更新至第08集
堤真一,山田裕贵,有村架纯,安田显,吉濑美智子,本田响矢,细田善彦,圆井湾,越山敬达,八村伦太郎,蓝木靖英,水间龙,富手麻妙,ノボせもんなべ,细田佳央太,真飞圣,宫崎优,麻生祐未,菅原大吉,杢代和人,生越千晴,田口浩正,西尾麻里,町田悠宇,泽井一希,中山脩悟,山口智子,玉森裕太
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已完结
畑芽育,志田未来,藤井流星,坂元爱登,北里琉,原田龙二,菊川怜,榊原郁惠,冈田义德,栗山千明
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森宽和,西垣匠
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见上爱,上坂树里,水野美纪,早坂美海,小林隆,小林虎之介,津崎史郎,岩瀬顕子,三浦贵大,根岸季衣,大岛美幸,义达祐未,たくや,原田泰造,北村一辉,佐野晶哉,藤原季节,林裕太,坂东弥十郎,内田慈,小倉史也,片冈鹤太郎,松金米子,广冈由里子,春海四方,多部未华子,高岛政宏,二田絢乃,中田青渚,井上向日葵,丸山礼,研直子,生田绘梨花,菊池亚希子,中井友望,木越明,原嶋凛,玄理,伊势志摩,古川雄大,坂口涼太郎,平野生成,森田甘路,猫背椿,饭尾和树,若林时英,村上穂乃佳,东野绚香,大河原次郎,野添义弘,筒井道隆,仲
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谢琼煖,洪都拉斯,陈仙梅,蓝苇华,苏晏霈,曾智希,曾子益,陈志强,郭忠祐,李之勤,潘奕如,范瑞君,王耿豪,吴铃山,张倩,李运庆,罗子惟,宫美乐,王晴,于浩威,马国毕,张世贤,徐千京,黄子玲,黄靖雅,李佩怡,吴政澔,黄尚禾,吴皓升
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尹昭德,何宜珊,黄瑄,卢彦泽,陈文山,王盈凯,黄婕菲,蔡祥,马国贤,孙绽,陈婉婷,王丁筑,璟宣,许瀞蔆,张雁名,颜邦智,曹景俊,陈玹宇,李緻,洪淇,刘汉强,张育绮,逸祥,亮曦,王芮希,李祐诚,卢尚恩,李铭叡,黄隽智,张景闳,游安顺,杨子仪
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赵乾景,谢莹,宋国庆,黄进则,张若瑜
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李宰旭,辛睿恩,洪民基 ,李秀敬
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赵龙豪,缪婷茹,苑立若心,陆怡璇,文静,于洋,赵波,艾东,王丽云,何达,郭秋成,曾肖龙,张永健,魏大鸣,张哲人
In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.